For Sherry Turkle, "We think with the objects we love; we love the                 objects we think with." In Evocative Objects, Turkle collects writings by                 scientists, humanists, artists, and designers that trace the power of everyday                 things. These essays reveal objects as emotional and intellectual companions that                 anchor memory, sustain relationships, and provoke new ideas.These days, scholars                 show new interest in the importance of the concrete. This volume's special                 contribution is its focus on everyday riches: the simplest of objects--an apple, a                 datebook, a laptop computer--are shown to bring philosophy down to earth. The poet                 contends, "No ideas but in things." The notion of evocative objects goes further:                 objects carry both ideas and passions. In our relations to things, thought and                 feeling are inseparable.Whether it's a student's beloved 1964 Ford Falcon (left                 behind for a station wagon and motherhood), or a cello that inspires a meditation on                 fatherhood, the intimate objects in this collection are used to reflect on larger                 themes--the role of objects in design and play, discipline and desire, history and                 exchange, mourning and memory, transition and passage, meditation and new vision.In                 the interest of enriching these connections, Turkle pairs each autobiographical                 essay with a text from philosophy, history, literature, or theory, creating                 juxtapositions at once playful and profound. So we have Howard Gardner's keyboards                 and Lev Vygotsky's hobbyhorses; William Mitchell's Melbourne train and Roland                 Barthes' pleasures of text; Joseph Cevetello's glucometer and Donna Haraway's                 cyborgs. Each essay is framed by images that are themselves evocative. Essays by                 Turkle begin and end the collection, inviting us to look more closely at the                 everyday objects of our lives, the familiar objects that drive our routines, hold                 our affections, and open out our world in unexpected ways.