Kannada Cinema. Social Concern and Democratic Thoughts in Upendra's Films
Description:... Master's Thesis from the year 2023 in the subject Film Science, grade: 6.8 (= A), , language: English, abstract: In India, cinema serves not only as a form of entertainment, but also as a means of disseminating cultural values within society. As a form of mass communication, cinema has the ability to shape the opinions and beliefs of the people. Kannada cinema is one of the cinema industries of India in which 'Social Concern and Democratic Thoughts' portrayal has been a crucial part since its inception. In this research, I have discussed how 'Social Concern and Democratic Thoughts' are mirrored in Upendra’s Films. This study mainly focuses on how Upendra's films often serve as a mirror image of the common man through 'Social Concern and Democratic Thoughts', offering a study of their struggles, aspirations, and societal impact. Upendra's distinctive narrative technique and intellectually stimulating themes provide a thorough analysis of the common man's position in society. Upendra creates unique and memorable characters that challenge stereotypes and defy expectations. Upendra frequently employs the technique of breaking the fourth wall in his films, wherein he directly addresses the audience. This approach enables him to effectively engage with the viewers, thereby blurring the distinction between fiction and reality, and transforming them into active participants in the storytelling process. Upendra's films frequently address social issues and offer social commentary. He fearlessly shows topics such as corruption, inequality, and societal norms. Through his narrative, he inspires viewers to challenge the status quo and engage in critical thinking about the world around them. Through his ‘Social Concern and Democratic Thoughts’, he originated a political party called the Uttam Prajakeeya Party (UPP) is also discussed.
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