The Anthology of the Greatest Horror Classics

• Author(s): Wilhelm Hauff, Charles Dickens, Mark Twain, Harriet Beecher Stowe, Adelbert von Chamisso, Oscar Wilde, Robert Louis Stevenson, Edgar Allan Poe, William Hope Hodgson, Joseph Sheridan Le Fanu, John Buchan, Louis Tracy, Bram Stoker, Anatole France, Charlotte Brontë, Emily Brontë, Jack London, Henry James, Théophile Gautier, Arthur Conan Doyle, Richard Le Gallienne, Jane Austen, Algernon Blackwood, Ralph Adams Cram, Thomas De Quincey, John Meade Falkner, Guy de Maupassant, Thomas Hardy, William Archer, Daniel Defoe, John Kendrick Bangs, Cleveland Moffett, Brander Matthews, Marie Belloc Lowndes, Sax Rohmer, Horace Walpole, Rudyard Kipling, Lafcadio Hearn, Ambrose Bierce, Frederick Marryat, Ellis Parker Butler, Washington Irving, Leonid Andreyev, David Lindsay, Nathaniel Hawthorne, Grant Allen, Arthur Machen, Wilkie Collins, William Makepeace Thackeray, Thomas Peckett Prest, James Malcolm Rymer, Fergus Hume, Edward Bellamy, Walter Hubbell, S. Mukerji, Charlotte Perkins Gilman, Leopold Kompert, Richard Marsh, Florence Marryat, Catherine Crowe, Marjorie Bowen, John William Polidori, Vincent O'Sullivan, H. G. Wells, Robert W. Chambers, W. W. Jacobs, M. P. Shiel, E. F. Benson, Jerome K. Jerome, M. R. James, E. T. A. Hoffmann, George W. M. Reynolds, H. P. Lovecraft, Robert E. Howard, Edith Nesbit, Sabine Baring-Gould, William Thomas Beckford, Francis Marion Crawford, Mary Elizabeth Braddon, Mary Louisa Molesworth, Mary E. Wilkins Freeman, Nikolai Gogol, Mary Shelley, Elizabeth Gaskell, Gertrude Atherton, Edward Bulwer-Lytton, Frank R. Stockton, A. T. Quiller-Couch, Olivia Howard Dunbar, Ann Radcliffe, Louisa M. Alcott, Amelia B. Edwards, Leonard Kip, Matthew Gregory Lewis, Fitz-James O'Brien, Katherine Rickford, Bithia Mary Croker, Catherine L. Pirkis, Émile Erckmann, Alexandre Chatrian, Pedro De Alarçon, J. K. Huysmans, H. H. Munro (Saki), Pliny the Younger, Helena Blavatsky, Villiers de l'Isle Adam, William F. Harvey, Fiona Macleod, William T. Stead, Gambier Bolton, Andrew Jackson Davis, Nizida, Walter F. Prince, Chester Bailey Fernando,
• Publisher: DigiCat
• Pages: 22434
• OTHER: EAN:8596547397502
  
• Language: en
• Categories: Fiction / Occult & Supernatural , Fiction / Anthologies (multiple authors) ,

Description:... Wilhelm Hauff's 'The Anthology of the Greatest Horror Classics' is a veritable compendium of seminal works that have shaped the horror genre, each story echoing the uncanny and the macabre with its distinct literary voice. The collection plunges readers into the chilling depths of the human psyche, threading classic narratives from the 18th to the early 20th century. Works from the likes of Mary Shelley, Edgar Allan Poe, and Bram Stoker feature prominently, offering insight into societal fears and philosophical reflections through eloquent prose and complex characters. Hauff's curation bridges the evolution of horror, from Gothic tales to the emergence of psychological horror and cosmic dread, providing a panoramic view of the genre's metamorphosis within its literary context. Wilhelm Hauff, himself an accomplished storyteller, demonstrates an encyclopedic knowledge of horror literature, having chosen tales that not only entertain but probe the darkness inhabiting the human condition. Likely drawing from his narrative sensibilities and expertise as a novelist and poet, Hauff selects stories that resonate with the subtleties of terror and the grotesque, ensuring the reader encounters both the celebrated and the obscure in equal measure. His own contribution, 'The Severed Hand', stands among these giants, subtlety signifying his understanding of and contribution to the genre's thematic corpus. 'The Anthology of the Greatest Horror Classics' is therefore recommended for both connoisseurs of horror and newcomers to the genre. Its breadth and depth are an invaluable resource for understanding the origins of literary horror and its continuing influence on contemporary fiction. Through lucid dreams and nightmarish visions, this collection promises to tantalize the imaginative faculties, inviting readers to explore the shadowy corners of the past where these timeless specters first took shape.